Laboratorio MIRAGE - Università degli Studi di Udine

Sounds, Voices and Codes from the Twentieth Century. The critical editing of music at Mirage

Edited by Luca Cossettini and Angelo Orcalli

The traditional history of sound is the history of musical instruments, the anatomy of vocal and hearing systems, musical gestures, well‐established theories in treatises and its written notation codes. Can we safely say that more than 140 years of sound recording have managed to transform this historical background? And to what extent did sound recording influence the future of music?

MIRAGE all'Università di Bath Spa - GALA Network

Tue, 10/25/2016

On October 25th, 2016 Luca Cossettini presented MIRAGE Lab to selected colleagues in the Commercial Music Technology department of the Bath Spa University. (http://www.bathspa.ac.uk/schools/music-and-performing-arts). MIRGE Lab takes part to the GALA (Global Academy of Liberal Arts) network http://gala.network for future joint research projects.

Bath Spa University Bath
Regno Unito
GB

L'invenzione della fonologia musicale. Saggi sulla musica elettronica sperimentale di Luciano Berio e Bruno Maderna

by Luca Cossettini and Angelo Orcalli

This volume studies several electronic works, including: Dimensioni II/Invenzione su una voce by Maderna; Jour, Contre-jour by Gérard Grisey, EnTrance by Fausto Romitelli; and more.
With an introduction, bibliography and indices. Includes many charts in both color and black & white.

Index

1. La fonologia musicale. Un'anfibolia superata dall'elettronica;

2. Variazioni su una voce. L'analisi di Dimensioni II/Invenzione su una voce e delle parti elettroniche di Hyperion di Bruno Maderna;

2014-2015: Digitalizzazione delle bobine audio dell'Archivio Storico del Teatro Regio di Parma

2014-2015: Digitisation of audio tapes for Archivio Storico del Teatro Regio di Parma
Funded by Fondazione Casa della Musica and Comune di Parma

Teatro Regio di Parma is one of the most important Italian Opera theatres, founded in 1829. Its Historical Archive preserves the memory of the Italian Melodramma: portraits, pictures, posters, croquis drawings, projects, manuscripts, printed music, librettos, newspapers, costumes, jewellery and an inestimable audiovisual heritage.

Luca Cossettini, Angelo Orcalli, Témoignages sonores et critique des sources audiovisuelles in Technè, n.37

Résumé. Aujourd'hui nous pouvons inscrire les œuvres audiovisuelles produites au cours du dernier demi-siècle dans le domaine documentaire. Mais la transcription, sur un autre support, d'une œuvre fixée sur bande analogique met en contact deux systèmes : le système historique, analogique, dont l'œuvre est une manifestation, et le système de remédiation, formé par la nouvelle technologie, par l'ensemblœe des connaissances et des moyens disponibles à une époque, et dans le lieu où est opérée la retranscription de l'œuvre dans le nouveau médium.